Monkey: A Folk Novel of China by Wu Cheng'en and translated by Arthur Waley receives acclaim for its engaging storytelling, vivid characters, and cultural depth. Readers appreciate the translation's accessibility and humorous tone. However, some criticize it for occasional cultural misinterpretations and omissions. Overall, it's a much-loved work that offers a captivating introduction to Chinese literature.

A reader who enjoys Monkey: A Folk Novel of China by Wu Cheng'en and translated by Arthur Waley would likely appreciate classic literature, mythological tales, and epic adventures. Comparable to readers of The Odyssey and Journey to the West, they value historical context and rich storytelling imbued with cultural significance.

Monkey: A Folk Novel of China, translated by Arthur Waley from Wu Cheng'en's 16th-century Chinese novel, follows the adventures of the stone Monkey, who becomes the king of all monkeys and later seeks religion to overcome his fear of mortality. Captured and imprisoned under a mountain, Monkey is eventually freed to join the monk Tripitaka on a pilgrimage to retrieve sacred scriptures from India, accompanied by Pigsy, Sandy, and a dragon-turned-horse, facing numerous challenges and learning teamwork and wisdom along the way until their successful return and divine ascension. The narrative includes graphic depictions of violence and discussions of death.

Fantastical / Adventurous / Humorous / Mysterious

- Monkey: A Folk Novel of China by Wu Cheng'en was translated by Arthur Waley into English as Monkey in 1942, but only about one-third of the original work is included in this translation.
- The novel is considered a notable introduction of Chinese literature to Western audiences, helping to popularize the story of the journey to the West among English-speaking readers. 
- Arthur Waley's translation features vivid illustrations by British artist Duncan Grant, adding a visual dimension to the storytelling that complements the adventurous narrative.

**Monkey**  
A clever and ambitious stone monkey born from a magical stone egg who becomes the Monkey King. He is known for his boldness, magical abilities, and occasional mischief.

**Tripitaka**  
A pious and humble Buddhist priest, chosen for a divine mission to retrieve sacred scriptures. Often reliant on others for protection and guidance during his journey.

**Pigsy**  
Once a heavenly marshal, now has a pig-like appearance and embodies physical appetites and brute strength. He is one of Tripitaka’s disciples and often causes friction within the group.

**Sandy**  
A former marshal of Heaven, banished to earth but sincere in his efforts to aid Tripitaka. Known for being levelheaded and the quietest of the pilgrims.

**Kuan-yin**  
The goddess of mercy and compassion, acting as a guiding force and provider of aid to Tripitaka and the other characters. Instrumental in recruiting disciples for the pilgrimage.

**Jade Emperor**  
The supreme god of Heaven, depicted as easily swayed and quick to demand retribution. Represents a satirical perspective on leadership.

**Erh-lang**  
The Jade Emperor’s nephew and a skilled magician who ultimately defeats Monkey in battle. He plays a crucial role in Monkey's initial capture.

**Hui-yen**  
A spirit who assists Kuan-yin by acting on her behalf and facilitating communication between the divine and mortal realms.

Wu Cheng'en

Transl. Arthur Waley

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Chapters 1-7

Monkey: A Folk Novel of China Chapters 1-7

Chapters 8-12

Monkey: A Folk Novel of China Chapters 8-12

Chapters 13-18

Monkey: A Folk Novel of China Chapters 13-18

Chapters 19-21

Monkey: A Folk Novel of China Chapters 19-21

Chapters 22-24

Monkey: A Folk Novel of China Chapters 22-24

Chapters 25-27

Monkey: A Folk Novel of China Chapters 25-27

Chapters 28-30

Monkey: A Folk Novel of China Chapters 28-30

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Monkey: A Folk Novel of China

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