112 pages • 3 hours read
Jesmyn WardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Before You Read
Before You Read
Summary
“The Tradition” by Jericho Brown
Introduction by Jesmyn Ward
“Homegoing, AD” by Kima Jones
“The Weight” by Rachel Kaadzi Ghansah
“Lonely in America” by Wendy S. Walters
“Where Do We Go from Here?” by Isabel Wilkerson
“‘The Dear Pledges of Our Love’: A Defense of Phillis Wheatley’s Husband” by Honorée Fanonne Jeffers
“White Rage” by Carol Anderson
“Cracking the Code” by Jesmyn Ward
“Queries of Unrest” by Clint Smith
“Blacker Than Thou” by Kevin Young
“Da Art of Storytellin’ (a Prequel)” by Kiese Laymon
“Black and Blue” by Garnette Cadogan
“The Condition of Black Life Is One of Mourning” by Claudia Rankine
“Know Your Rights!” by Emily Raboteau
“Composite Pops” by Mitchell S. Jackson
“Theories of Time and Space” by Natasha Trethewey
“This Far: Notes on Love and Revolution” by Daniel José Older
“Message to My Daughters” by Edwidge Danticat
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Many of the writers in this collection meditate, interrogate, and rage against the devaluation of African Americans. Wendy S. Walters observed this in the mass graves of African slaves beneath Portsmouth, New Hampshire, which lay beneath an ordinary intersection for over two centuries. Rachel Kaadzi Ghansah walked through James Baldwin’s former home in France, wondering why anyone would destroy this piece of the writer’s legacy. Many grieve the lives lost to racially motivated violence. The authors of The Fire This Time compel themselves—and their readers—to remember those whom whitewashed history would prefer to forget.
Throughout American history, the country has dismissed, demeaned, and discriminated against its black citizens, starting from the institution of slavery and persisting until the present. As Jesmyn Ward writes in the Introduction, “we cannot talk about black lives mattering or police brutality without reckoning with the very foundation of this country. We must acknowledge the plantation, must unfold white sheets, must recall the black diaspora to understand what is happening now” (9). That foundation is what Honorée Fanonne Jeffers calls the “scatological, morally bankrupt” (67) practice of white Americans enslaving Africans. They captured Africans from their homelands, sold them as property, and denied them fundamental human rights for hundreds of years.
By Jesmyn Ward