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“The Lake” is an example of Edgar Allan Poe’s Romantic poetry, meaning it furthers the ideas of the British Romantic poets, such as William Blake, William Wordsworth, S. T. Coleridge, and Lord Byron. John Keats’s idea of Negative Capability, which includes being in a state of uncertainty—or not knowing—as part of the pursuit of beauty, can be directly connected to “The Lake.” Poe’s imagery includes the unknown realm of water in the dark night and the unknown realm of death. Poe is also influenced by American Romantic writers, whose work often celebrates the vastness of American nature. While the lake Poe writes about is enclosed by natural elements, like the trees, it is outside of human civilization, and therefore is part of this “vastness.”
Another important element of Romantic poetry is the role of the imagination. In his essay “A Defence of Poetry,” Romantic poet Percy Bysshe Shelley argues, “Poetry enlarges the circumference of the imagination by replenishing it with thoughts of ever new delight” (Shelley, Percy Bysshe. “A Defence of Poetry.” 1840. Poetry Foundation). In “The Lake,” Poe discusses “him who thence could solace bring / To his lone imagining” (Line 21).
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Annabel Lee
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Berenice
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Hop-Frog
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Ligeia
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Tamerlane
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The Black Cat
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The Cask of Amontillado
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The Conqueror Worm
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The Facts in the Case of M. Valdemar
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The Fall of the House of Usher
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The Gold Bug
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The Haunted Palace
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The Imp of the Perverse
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The Man of the Crowd
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The Masque of the Red Death
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The Murders in the Rue Morgue
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The Narrative of Arthur Gordon Pym of Nantucket
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The Philosophy of Composition
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